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A brief history of Carnival in Venice


The Carnival of Venice  is an annual festival held in Venice, Veneto, Italy. The festival is world-famous for its elaborate masks.


It's said that the Carnival of Venice was started from a victory of the Republic of Venice against the Patriarch of Aquileia, Ulrico di Treven in the year 1162. In the honour of this victory, the people started to dance and gather in San Marco Square. Apparently, this festival started on that period and became official in the Renaissance. In the seventeenth century, the baroque carnival was a way to save the prestigious image of Venice in the world. It was very famous during the eighteenth century.  It encouraged licence and pleasure, but it was also used to protect Venetians from present and future anguish.  However, under the rule of the Holy Roman Emperor and later Emperor of Austria, Francis II, the festival was outlawed entirely in 1797 and the use of masks became strictly forbidden. It reappeared gradually in the nineteenth century, but only for short periods and above all for private feasts, where it became an occasion for artistic creations.


After a long absence, the Carnival returned in 1979. The Government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of its efforts. The redevelopment of the masks began as the pursuit of some Venetian college students for the tourist trade. Since then, approximately 3 million visitors come to Venice every year for the Carnival. One of the most important events is the contest for la maschera più bella ("the most beautiful mask") which is judged by a panel of international costume and fashion designers. Here are the winners:

2015 : Le stelle dell'amore by Horst Raack, best costume for the official theme La regina della cucina veneziana by Tanja Schulz-Hess, most creative costume Monsieur Sofa et Madame Coco by Lorenzo Marconi
2014 : Una giornata in campagna by Horst Raack, and Radice Madre by Maria Roan di Villavera
2013 : Alla Ricerca del Tempo Perduto by Anna Marconi, most colourful costume Luna Park
2012 : Il servizio da thè del settecento (teatime) by Horst Raack, most creative costume Oceano by Jacqueline Spieweg
2011 : La famille Fabergé by Horst Raack, and Ommagio a Venezia by Paolo and Cinzia Pagliasso and Anna Rotonai, best costume for the official theme 19th century by Lea Luongsoredju and Roudi Verbaanderd
2010 : Pantegane from England
2009 : The voyagers of Marco Polo by Horst Raack and Tanja Schulz-Hess
2008 : Luna park by Tanja Schulz-Hess
2007 : La Montgolfiera by Tanja Schulz-Hess


Masks have always been an important feature of the Venetian carnival. Traditionally people were allowed to wear them between the festival of Santo Stefano (St. Stephen's Day, December 26) and the end of the carnival season at midnight of Shrove Tuesday. As masks were also allowed on Ascension and from October 5 to Christmas, people could spend a large portion of the year in disguise. Maskmakers (mascherari) enjoyed a special position in society, with their own laws and their own guild. Venetian masks can be made of leather, porcelain or using the original glass technique. The original masks were rather simple in design, decoration, and often had a symbolic and practical function. Nowadays, most Italian masks are made with the application of gesso and gold leaf and are hand-painted using natural feathers and gems to decorate. However, this makes them rather expensive when compared to the widespread, low-quality masks produced mainly by American factories. This competition accelerates the decline of this historical craftsmanship peculiar to the city of Venice.




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